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“The mysterious circumstances surrounding Bach’s death hang over this historical novel, which follows a sleuthing young Mozart as he contemplates inspiration and mortality.” —New York Times Book Review
“A study in contrasting elements: beautiful and profane, amusing and infuriating, exhilarating and heartbreaking, it shows us a Mozart we’ve never seen…a brilliantly constructed mystery, a love letter to classical music, and a gripping character study…it’s a story that’s so captivating that we really wish it were true.” —Booklist
“Luminous…The entrancing, sumptuous eighteenth-century European backdrop is contrasted with the undertow of political revolution developing in France and the US…the book’s heady passion for music heightens the plot while enlivening the joys and sorrows of each character. Beyond its compelling intrigue of intertwined creative lives…Allegro is about how Mozart yearned for divine inspiration while confronting his own vulnerable mortality.” —Foreword Reviews
“Dorfman breathes considerable life into these historical figures.” —Publishers Weekly
“A historical mystery…in which Mozart tries to unpack the truth of Bach’s death…delightful.” —Literary Hub, Most Anticipated Books of the Year
“This lovely novel will be particularly meaningful to musicians…reads like an 18th-century picaresque, about tragedies but not itself tragic, charming…For all the poverty, illness, loss, and death surrounding him, this Mozart delights the reader with his effusive appreciation of food, drink, women, and music, music above all…I loved viewing that world through his eyes.” —Historical Novel Society
“[Dorfman] clearly has a reverence for both classical music and its history…[Allegro is] an intricate examination of grief overlaid on a globe-trotting mystery.” —Christian Science Monitor
“Beautifully written, taking the reader inside the royal palaces and music halls in 18th-century Europe. The descriptions of some of Mozart’s compositions are so eloquent that one can almost hear the notes…Allegro is a delightful read. Dorfman brings all the glamour and mystery of the Classical Period alive.” —Woman Around Town
Praise for The Suicide Museum:
“An intricate examination of guilt and grief…evocative of Philip Roth. Its prose is brainy and confident, building momentum through the intensity of its ideas…profoundly moving.” —New York Times Book Review
“Set largely in the nineteen-nineties…[The Suicide Museum is] also a novel that looks toward the future…exhilarating.” —The New Yorker
“A thriller nested inside a literary novel nested inside a memoir…playful and intriguing.” —Los Angeles Review of Books